玛丽(lì )亚·(😘)卡(kǎ )拉斯(🌋)，20世纪最伟大(🔁)的女高音(🕜)，被誉为(wéi )“歌(👛)剧女神(🧕)(shén )”，她(tā )那(📪)美妙动人的(😼)歌喉演唱(📺)了《托(tuō )斯卡(🔆)》、《卡(kǎ )门》等无数(🚹)(shù )经典之(zhī(🚰) )作。她与希(🤕)腊船王的爱(🔂)(ài )情悲歌(gē )、与杰(jié )奎琳(lí(🎑)n )·肯尼(ní(♐) )迪从未(wèi )谋(📆)面但命运(😓)相连的纠葛(🍅)，亦成(ché(🚻)ng )旷世绝(jué(🔗) )唱。2017年，卡(kǎ )拉(🎠)斯去(qù )世(✝)四十周年之(🌭)时，导演汤姆·沃(🌕)尔夫(fū )历经(😰)五年走(zǒ(💉)u )访卡拉(lā )斯(🙅)的生前好(🎉)友、相关人(🚬)士，发(fā(😩) )掘并使(shǐ(🏵) )用了大量从(🥍)(cóng )未面世(🕋)(shì )的珍贵私(📭)信及影像资料，拍(⏳)摄(shè )制作了(💪)(le )《卡拉(lā )斯(😞)：为爱而(é(🕥)r )声》，以玛丽亚·卡拉斯自己(jǐ(✂) )的视角(jiǎ(🕰)o )，带我(wǒ )们走(🚂)(zǒu )进她的(👆)(de )传奇人(rén )生(🍋)。2018年，本片(🎽)在近30个国(🖼)家上映(yìng )，收(🛤)获(huò )了全(🥍)(quán )球赞誉(yù(🙋) )并引发(fā )了乐迷(🎆)的怀念热潮(🐐)。 In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis. Since early childhood, Björn has secretly carried an insurmountable fear. When his father dies of old age, he and his four sisters are each left with a video message, that makes him question everything. Director Johan Löfstedt’s extended family play themselves in a heartfelt and unconventional film about life, death and the courage to change 成(💱)(chéng )长中父(fù(🏗) )母也在日(🕴)渐(jiàn )变老，我(🎱)们会把(🥒)这样或那(🛂)样的无奈当(🌶)(dāng )做借口(🔰)(kǒu )，而忽视他(🏩)(tā )们的心(xīn )理或(🅰)身体的健康(🍝)状况，当问(🐳)题(tí )严重时(⏬)(shí )我们又会悔(huǐ )恨自己(jǐ )的(🏦)冷漠(mò )和(♊)粗心，孩子和(🎇)父母之(zhī(💓) )间永远(yuǎn )存(🥊)在一(yī(🐛) )种不(bú )公(🤫)平，而这种(zhǒ(📽)ng )不公平却(🐋)又以一种不(⚡)协(xié )调的姿(zī )势(🔸)，却(què )又很(hě(🏵)n )和谐的(de )存(🕖)在着(zhe )………(🏏) 17歲的莎拉(🌌)全心投入學(🕸)校(xiào )的(🍛)戲劇(jù )排(🏾)練，赤裸(luǒ )地(🦓)體驗(yàn )舞(🖼)台上和生活(🌔)中的暴力。當她(tā(💶) )試圖揭(jiē )露(🥄)深藏心中(😉)(zhōng )的醜陋(lò(🌎)u )秘密，高聲呼喊卻孤立無援，於(🚀)是在(zài )莎(💽)士比亞和(hé(🔮) )華格納(nà(🧓) )的經典(diǎn )劇(🌻)目中尋(😦)找寄託，她(🍝)想(xiǎng )握有茱(♌)(zhū )麗葉的(👃)(de )匕首(shǒu )，想跟(🦆)(gēn )隨伊索(suǒ )德的(⏰)腳步殉情而(🚷)去，當(dāng )她(🚁)站上(shàng )舞台(💢)，她是(shì )否能對(duì )世界展(zhǎn )開(😿)反擊，扮演(✂)的界線究竟(🌭)在哪(nǎ )裡(➿)？ 该(gāi )故事(👙)讲述了(le )一个小(xiǎ(🌹)o )男孩和意外(㊗)成为了流(🦐)浪汉的柠(ní(👖)ng )檬水摊(tān )主乔的(😨) When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.